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STRIGEL, Bernhard
German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.

 

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STRIGEL, Bernhard Portrait of Sybilla von Freyberg (born Gossenbrot) er oil painting

Painting ID::  9158

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STRIGEL, Bernhard
Portrait of Sybilla von Freyberg (born Gossenbrot) er
Wood, 61 x 35,8 cm Alte Pinakothek, Munich
   
   
     

 

 

STRIGEL, Bernhard Holy Family et oil painting

Painting ID::  9159

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STRIGEL, Bernhard
Holy Family et
c. 1505 Panel Germanisches Nationalmuseum, Nuremberg
   
   
     

 

 

STRIGEL, Bernhard Portrait of Conrad Rehlinger and his Children ar oil painting

Painting ID::  9160

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STRIGEL, Bernhard
Portrait of Conrad Rehlinger and his Children ar
1517 Wood, 209 x 101 cm and 209 x 98 cm Alte Pinakothek, Munich
   
   
     

 

 

STRIGEL, Bernhard St Ladislas Presents Wladislav II and his Sons to the Virgin r oil painting

Painting ID::  9161

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STRIGEL, Bernhard
St Ladislas Presents Wladislav II and his Sons to the Virgin r
1511-12 Wood, 43 x 30,8 cm Museum of Fine Arts, Budapest
   
   
     

 

 

STRIGEL, Bernhard St Ladislas Presents Wladislav II and his Sons to the Virgin (detail)  wr oil painting

Painting ID::  9162

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STRIGEL, Bernhard
St Ladislas Presents Wladislav II and his Sons to the Virgin (detail) wr
1511-12 Wood, 43 x 30,8 cm (full panel) Museum of Fine Arts, Budapest
   
   
     

 

 

STRIGEL, Bernhard Emperor Maximilian I and his family oil painting

Painting ID::  39729

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STRIGEL, Bernhard
Emperor Maximilian I and his family
mk150 1516 72.8x60.4cm
   
   
     

 

 

STRIGEL, Bernhard Emperor Maximilian i with his family oil painting

Painting ID::  40312

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STRIGEL, Bernhard
Emperor Maximilian i with his family
mk156 1516 Oil on panel 72.8x60.4cm
   
   
     

 

 

STRIGEL, Bernhard Gedenkblatt auf das Jahr oil painting

Painting ID::  45257

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STRIGEL, Bernhard
Gedenkblatt auf das Jahr
mk181 1848 Munchen Stadtmuseum
   
   
     

 

 

STRIGEL, Bernhard Holy Family oil painting

Painting ID::  63694

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STRIGEL, Bernhard
Holy Family
1505 Panel Germanisches Nationalmuseum, Nuremberg The picture shows a panel of the Mindenheimer Altarpiece.Artist:STRIGEL, Bernhard Title: Holy Family Painted in 1501-1550 , German - - painting : religious
   
   
     

 

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STRIGEL, Bernhard
German Northern Renaissance Painter, ca.1460-1528..Painter, son or nephew of Hans Strigel II. His training with Hans Striegel II shows stylistically in his early works in the Grisons, e.g. the Last Judgement (1486; Brigels, pilgrimage chapel of St Eusebius) and an altarpiece at Disentis (1489; St Johann Baptist). In the 1480s and 1490s he also worked in the studio of Ivo Strigel. Motifs in his pictures stem from engravings by Martin Schongauer and from Ulm book woodcuts. He met Bartholomus Zeitblom as a fellow worker on the high altar (1493-4) of Blaubeuren Abbey, both being influenced by Netherlandish art: Zeitblom by Rogier van der Weyden but Strigel primarily by Dieric Bouts. This influence is also seen in his Adoration of the Magi altarpiece (c. 1500; Memmingen, Stedtmus.). The altar of the Virgin for the monastery at Salem (1507-8; Salem, Schloss) has links with D?rer's graphic work: an increasing three-dimensionality and monumentalization of the objects and figures, and their disposition in space.